Age of Adaline is a different sort of movie. I can imagine that it’s not in the main stream of popular films as the ending almost has a bitter sweet finish that leaves one feeling reminiscent for the characters’ possible and missed futures. The actors were good, demonstrating several levels of depth that was needed for this sort of plot. The story was something different, a fantastical/sci-fi twist that kept a reasonable level of credibility in the realm of possibility.
The story is about Adaline. She lived in the 1900s when she was in a terrible and unusual accident from which she awoke frozen in time. From the day forward until the present time she would remain 29 years old. Because of this, Adaline was forced to change her identity every ten years; moving from place to place. Her life has been a stagnant one, living on the fringes of society but not truly participating. Things change when she meets a young man and she suddenly becomes unsure if she can leave it all behind this time. Her decision almost seems set until she meets his family and his father ends up being someone from one of her previous lives.
SPOILERS AHEAD: Proceed at your own risk.
The story is good. I’m unsure about the narrator though. His voice wasn’t bad, but it was like listening to a documentary commentary and it took away from the flow of the story at times. The most troubling part about the whole thing was the somewhat triangle between Adaline and Harrison Ford’s character and his son. It’s obvious as the story goes on that the real love of Adaline’s life was William (Ford) and the same for him. So it left it somewhat bittersweet at the end. They both had other people at the end who they did love but their hearts weren’t in it completely. It’s just such a sad story really. Good, but sad.